{"id":1892,"date":"2025-06-04T18:47:49","date_gmt":"2025-06-04T16:47:49","guid":{"rendered":"https:\/\/borderbuda.be\/?post_type=artists&#038;p=1892"},"modified":"2026-08-22T10:07:42","modified_gmt":"2026-08-22T08:07:42","slug":"liesbeth-henderickx","status":"publish","type":"artists","link":"https:\/\/borderbuda.be\/fr\/artists\/liesbeth-henderickx\/","title":{"rendered":"Liesbeth Henderickx"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Liesbeth Henderickx (\u00b01991, BE) vit et travaille \u00e0 Gand. Sa pratique s\u2019ancre dans la sculpture\u2014un m\u00e9dium \u00e0 travers lequel elle explore comment les environnements construits, par leurs formes, mat\u00e9riaux, gestes et repr\u00e9sentations, influencent notre vie quotidienne. Par un travail minutieux de traduction et de m\u00e9diation de mat\u00e9riaux vari\u00e9s \u00e0 diff\u00e9rentes \u00e9chelles et textures, ses sculptures cherchent \u00e0 r\u00e9v\u00e9ler les liens conscients et inconscients entre l\u2019espace et l\u2019architecture, la forme sculpturale et le corps.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chaque mat\u00e9riau avec lequel elle travaille ouvre de nouvelles mani\u00e8res de faire\u2014intuitives, tactiles et profond\u00e9ment incarn\u00e9es. Le processus de cr\u00e9ation devient une chor\u00e9graphie silencieuse, une forme de pens\u00e9e mat\u00e9rielle, dont les gestes et les choix restent lisibles dans l\u2019\u0153uvre finale.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Liesbeth Henderickx <em>To Shed Away<\/em> (2025)<br>Liesbeth Henderickx <em>Molted Dwelling I<\/em> (2025)<br>Liesbeth Henderickx <em>Molted Dwelling II<\/em> (2025)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/maps.app.goo.gl\/TENACsQVUqaEuD9X6\" data-type=\"link\" data-id=\"https:\/\/maps.app.goo.gl\/TENACsQVUqaEuD9X6\" target=\"_blank\" rel=\"noreferrer noopener\">Fobrux<\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>To Shed Away<\/em> se compose d\u2019empreintes sculpt\u00e9es de l\u2019escalier ornement\u00e9 menant au premier \u00e9tage de Fobrux, tandis que <em>Molted Dwelling I<\/em> et <em>II<\/em> sont r\u00e9alis\u00e9es \u00e0 partir de poussi\u00e8re r\u00e9cup\u00e9r\u00e9e dans des machines \u00e0 laver. Les deux oeuvres jouent avec la notion de \u2018peau\u2019 pour faire r\u00e9appara\u00eetre des corps absents, et \u00e9voquent une domesticit\u00e9 silencieuse \u2014 qu\u2019il s\u2019agisse d\u2019\u00e9tendre le linge ou simplement de tra\u00eener.<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[21],"class_list":["post-1892","artists","type-artists","status-publish","hentry","tag-2025-fr"],"acf":[],"_links":{"self":[{"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/artists\/1892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/artists"}],"about":[{"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/types\/artists"}],"version-history":[{"count":5,"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/artists\/1892\/revisions"}],"predecessor-version":[{"id":3420,"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/artists\/1892\/revisions\/3420"}],"wp:attachment":[{"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/media?parent=1892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/categories?post=1892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/borderbuda.be\/fr\/wp-json\/wp\/v2\/tags?post=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}